一(yī )对(🏼)情侣(🌋)外出(chū )度(dù )假(jiǎ ),入住(🐓)豪宅,然而,当(🐪)他们(🚧)半夜醒(🤞)来(lá(👴)i ),却发现自己躺(tǎng )在(zà(🍀)i )一个处处充(👃)(chōng )斥(chì )着恐怖氛围的(🈺)(de )荒(huā(🕶)ng )弃诡宅(😔)中…(🚞)…他们意欲(🐞)(yù )逃离,然而却(què )始(shǐ(🌒) )终(zhō(🕵)ng )逃不出(🧞)去,努(💦)(nǔ )力奔逃,但逃(táo )往的(📆)地点却还是(🌾)这所诡异的荒宅(😴)……(🧣)更(gèng )恐(kǒng )怖(bù )的(🏛)是,当(dāng )他(tā(🕢) )们(men )再度回到这座(zuò )诡(🚬)宅,却(🗡)发现,时(🛤)间跟(🍦)他们走出去的时(shí )间(❣)(jiān ),一样……(💈)
電(dià(💷)n )影(yǐng )劇(🈲)情是(🐆)一部勵(lì )志愛情故事(🖍),講述男女(nǚ(🌆) )主角兩人因一次(cì )交(🔯)(jiāo )通(📂)意外,女(⛴)(nǚ )方(🥒)(fāng )失去記憶(🙏),男(nán )方(fāng )因此有預知(📴)未來(📙)能力。吳(🖊)卓羲(🌡)表示:「我(wǒ )哋呢套(🥦)係一(yī )部(bù(🤾) )愛情至上,又(yòu )好(⏩)凄美(🌖)又浪漫嘅愛情片(⏲),男女之間又(📝)唔(én )係(xì )牽(qiān )涉床上(🚸)戲(xì(🏚) )嘅(gé ),溫(🌐)馨鏡(🤠)頭嘅床(chuáng )戲係有,都要(🚷)睇劇本睇下(🙎)有冇(😀)需要攬(🧢)呀(ya )錫(✒)(xī )呀,其實情(qíng )侶(lǚ )關(💜)(guān )係必須要(🥧)有嘅(gé ),如果唔係觀眾(🈚)唔知(🕖)你(nǐ )係(🚳)情侶(📱)。」
该片(piàn )改(🧓)(gǎi )编自脱北女(nǚ )性(xì(♉)ng )的真(🈷)实故事(🏪),讲(jiǎ(🥖)ng )述的是抛开家人,逃往(🚑)(wǎng )韩国的母(🔴)亲与(yǔ )憎(zēng )恨(hè(🔁)n )自己(🤸)的儿子(zǐ )在(zài )16年(🎡)后重逢的故(👝)(gù )事。
“我的一生中只害(👲)怕一(🚔)件事,就(🕖)是(shì(🛒) )有(yǒu )一天,黑色(sè )会(huì(👙) )吞(tūn )没红色(🏾)。”
印(yì(😛)n )度每年(🕢)有超(🐏)过二万宗针对女性的(🚚)暴力罪(zuì )案(🅱)(àn ),平均每二(èr )十(shí )二(🚈)分钟(📆)就有一(💔)名(mí(🍽)ng )女性被强暴(📐),每六小时(shí )就有一名(🚡)妇女(🗝)因(yīn )家(🖨)(jiā )庭(🏘)暴力丧命(mìng )。年轻的基(🏣)层女(nǚ )警索(🔒)妮与上司卡帕纳(🍊)在德(🔂)(dé )里一同接手调(🐗)(diào )查(chá )不(bú(🚩) )同的女性暴(bào )力(lì )事(😙)件,在(🚊)办案(à(🤵)n )过程(🔃)中往往遭受到了重大(🛒)阻力,无日无(⚽)(wú )之(🎦)(zhī )的罪(😠)案令(🐋)她(tā )脾(pí )气(qì )暴躁,做(🕛)事方(fāng )式偏(🦆)离常规,被裁定在执勤(🖋)中行(🏞)为不当(🥠)(dāng ),而(🙍)私人生活(huó(🗄) )也(yě )影响到了她的职(🛵)(zhí )业(🀄)表现,与(🌠)丈夫(🚝)已经彼(bǐ )此疏离,却要(🔝)被(bèi )迫(pò )面(👘)对他(🔔)突然(rán )的(de )到(🛅)访。印度电(diàn )影少见的(🚡)写实题材,以(😮)一(yī )场一镜营造出(chū(🍮) )真(zhē(🐇)n )实(shí )迫(⏰)力,将(🍈)社(shè )会(huì )低下层女性受(shòu )到压迫(🔫)的问(😥)题表露(🚤)无遗(😹)。
在贝鲁特一个(gè )街(jiē(😙) )角的咖啡店(👼)(diàn )二(èr )楼(lóu ),有一面大(🏌)大(dà )的转角(🧣)窗和(👋)一台电视机(🌇),一位78岁的退伍(wǔ )将(jiā(🦔)ng )军和(🔀)一位81岁(🕙)(suì )的(👚)(de )退伍军医每天早(zǎo )上(😒)都会在这里(🚓)碰面(🐛),看(kàn )着街角(👠)车来人往(wǎng ),做着填字(🗽)游(yóu )戏(xì ),以(🆚)此对抗阿(ā )茨海默综(🤘)合症(🕴)。伴随两(🏰)位(wè(🚘)i )老人的玩笑和(hé )字(zì )谜(mí ),咖啡馆(🙈)的(de )顾(🚎)(gù )客纷(🎌)纷登(📇)场。本片用发生在一个(💱)社会小角落(🌧)16天之内的(de )一(yī )系列事(♍)件,四(sì )两(liǎng )拨千(🏈)斤地讨论(lù(🍧)n )了人生、政治、历史(🏼)等话(🗂)题;通(🐡)过单(🎅)场(chǎng )景(jǐng )多幕剧的结(🍔)(jié )构(gòu )让人(🚶)感受(🕯)到老人(rén )们(🌕)的孤独,以及疾病带(dà(🐪)i )来的苦涩,同(🕴)时(shí )映(yìng )射出黎巴嫩(🌯)(nèn )暴(🚋)(bào )力事(🔷)件肆(💳)虐的(de )现状。以小见大,令人回味。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
本故(🎄)事讲(🍦)(jiǎng )述(shù(🌡) )的(de )是(☕)上世纪90年(nián )代(dài )末发(📸)生在陕西(xī(🕷) )关中农村的童年故事(💣)。在以成绩高低作(🐓)(zuò )为(wéi )评判(🌄)学生好(hǎo )坏(huài )的(de )环境(📺)中,小(👉)学(xué )生(👞)巴王(🥃)超过在老师与家长的(😌)眼中是那种(🚦)(zhǒng )不(🎅)(bú )学无术的(🔋)“渣(zhā )滓”。得不到家(jiā )长(😀)和老师认同(⏸)的巴王超(chāo )过,将田野(🤷)里一(🧀)(yī )棵(kē(🔆) )可以(🦏)栖息的(de )大(dà )树变成了自己(jǐ )的“好(🙎)地方(🛵)”,并将所(😴)有“好(🥍)玩”的东(dōng )西(xī )都(dōu )藏(⤴)在了那棵(kē(⛺) )大(dà )树的上面。孩(hái )子(📔)的天性,让巴王超(⚡)过与成人世(🈵)界充满(mǎn )了(le )斗争,直到(🕶)(dào )有(🗡)(yǒu )一(yī(🤤) )天,他(📞)的处境(jìng )因为前来支(⛴)教的粉提老(🎽)师而(🚓)改变了!粉(fě(👧)n )提(tí )老师让他负(fù )责(💌)(zé )班级里的(😽)图书(shū )管(guǎn )理员,同时(♎)他也(❌)与女老(🌼)(lǎo )师(🈸)成了好朋友,他(tā )的“好地方(fāng )”也成(💸)了女(🎪)老师(shī(Ⓜ) )的“好(🍍)地方”。然而好景不长,他(🌡)在粉(fěn )提(tí(🧟) )老(lǎo )师面前特殊(shū )的(⛺)(de )待遇,又因为(wéi )粉(🏈)提老师的男(⛵)朋友的到来而改变了(🏦)……(😃)